Monday, June 24, 2013

Cabinet Crazed - To Glaze or otherwise to Glaze - That's The ($64M) Question

To glaze or otherwise to glaze. Or fresh paint. Or leave within their natural condition. Ahh! Choosing cabinets. It'll perhaps become your most pressing design-and budget- dilemma, arriving a small second towards the drama of choosing your kitchen area designer, interior designer, builder or architect for that project.

Within the roughly . billion U.S. cabinetwork and counter top manufacturing industry, the natural angst of selecting cabinets is just the enormous cost in performing exactly that. For cabinets can consume a minumum of one quarter of the whole kitchen redesign, adding 1000's-otherwise hundreds of 1000's--of dollars for your overall kitchen remodeling budget faster than you are able to say "cherry-inset-door-with-cathedral-frame-in-colored-finish-with-chocolate-glaze." Additionally the realization this decision holds lengthy-term effects-there's a nearly zero chance that you'll rip these boxes out prior to the next handful of decades have passed-and you've got an ideal storm for which will certainly end up being the 1000 question inside your kitchen-remodelers-or-building-household. You're formally cabinet crazed.

Probably the most generally-held myths concerning the kitchen cabinet purchase would be that the cheapest cost "stock" cabinet option-or perhaps that middle-of-the-road semi-custom deal-is always your best choice. This can be a carefully-contrived trap into that the naive homeowner can certainly become trapped! Watch out for boring materials, standard door frame styles, limited fresh paint choices and size constraints which will-even before you understand it- zap the creativeness gene right from your right brain! For that "stock" option will practically make sure that your cabinets-which produce an otherwise huge chance to lift up your creativeness quotient-seem like almost every other kitchen cabinet in each and every other home in the usa. Seriously, can our nation handle yet another cream-colored walnut cabinet with dark mocha glaze?

Your kitchen area should reflect your specific personality, carefully-developed design predilections and genealogy (however crazy yours may be.). Art and antique collections-hopefully collected for his or her interesting provenance or sentimentality-ought to be happily displayed in order to infuse this most significant room together with your individual stamp. You have to enlist the expertise of an expert contractor who'll build custom cabinets to ensure that your creativeness could be unleashed-without thought or concern for individuals standard options generally selected through the public:

Have you got unique space designs that may be worked within a fascinating way? Could a cabinet be designed for this space that will highlight its quirkiness?

Would you enjoy open, airy spaces? Why don't you go for open shelving, significantly growing your room's looks while concurrently lowering your overall budget?

Would you prefer cherry to particalboard? Or pine to walnut? Don't allow the so-known as experts convince you that the tastebuds are less refined than their own.

Would you adore colored finishes? Transparent-and great for our planet-milk fresh paint? Hands-applied waxes to high-gloss memory?

Would you dream colored? Benefit from the palette of Provence? Or like the decades-old attempted-and-true traditional choice of all-whitened?

Would you prepare inside your kitchen? Or perhaps is it your trophy room? Why don't you incorporate an old-fashioned table having a marble top for moving out dough? Or perhaps a farm table which to reduce veggies, further boosting the charm factor while lowering the dollar drain of adding yet more costly cabinets?

Review your kitchen while you would every other room or space: with eyes available. Have sufficient time to allow your imagination soar. And re-locate from the despair to be cabinet crazed and in to the levels where creativeness reigns supreme.

Sunday, June 23, 2013

Home Designing Faq's

How do I choose a good-quality sofa?

I want a sofa that I'll be able to keep for years. What should I look for?

Hardwood frames that are glued and screwed in place are the most hardwearing. Quality sofas have individual coil springs; mid-price versions use zigzag springs; and budget ones have webbing. Washable, loose covers are good for families, and close-woven covers are durable. But to check if it's well-made, simply sit on it!

How do I make old floorboards look good?

Sand them with a specialist machine, starting with medium-grade abrasive paper, then going over it again with a fine-grade one. Give the floor three coats of varnish, sanding lightly by hand between coats.

Which blinds are best in lofts?

I've just had my loft converted and need to get some blinds for the windows. Is there an alternative to plain roller blinds?

You'll need blinds in your loft as the light will be very strong and will wake you up early in the morning in the summer. If you're after something a bit different, pleated blinds have a soft, pretty effect and diffuse light, while traditional roller blinds will help prevent light reflecting on computer and TV screens. Blackout versions are worth considering - they fit into channels at the sides of the window to stop light getting in around the edges - they're perfect for light sleepers. Venetian blinds are another option, allowing you to tilt the blinds as well as open and close them for maximum flexibility.

How do I try out paint colours without ruining my walls?

I can never decide which paint looks best in my room before I buy, and I don't really want to put patches of colour all over my walls for weeks. Is there a simpler way that will help me choose the right colour for my room?

Instead of painting tester pots directly onto the walls, use them to paint a large sheet cut from lining paper. The lining paper can then be easily moved around so you can try it on different walls, without spoiling the look of your room.

Can I use bold wallpaper in a small room?

My bedroom is tiny but I want to use a bold-patterned wallpaper. Nice or nasty?

Nice! A big pattern will have an impact in a small room, but use it on just one wall. Choose the colour of the wallpaper carefully - brights will make a small room feel smaller, and soft colour contrasts in the paper create a sense of space. Balance the overall effect by picking plain colours, subtle textures or small motifs for other furnishings.

How do I create a relaxing lighting scheme?

I'm fed up with only having an overhead light, as it doesn't make the room look very welcoming. How can I make it more relaxing?

Recessed ceiling-mounted spotlights or a pendant light will give you good overall light, but if that's your only source, the lighting can feel harsh. Soften the overall effect by adding a table lamp next to your sofa and a floor lamp or reading light near your armchair. You should be aiming for around two to three separate light sources for an average-sized room to create pools of light where you need them.

What's the best layout for a formal living room?

The kids have left home so I want to create a more formal living room. What's the best way to lay out it out?

If you want a formal room, whatever your style, the one rule is symmetry! Arrange furniture symmetrically and you'll give your room the grown-up look you're after. If you have plenty of space, move your sofa so it's facing two identical armchairs or an identical sofa. You can also use tricks like adding a pair of side tables with matching lamps, or arranging a set of four prints in matching frames on the wall. If you don't have the space for all of these different elements, choose smaller pieces such as carver chairs instead of upholstered versions. Then just arrange them around a focal point - whether it's a fireplace, window or a coffee table.

What good-value curtains work with sash windows?

I've got high ceilings and beautiful sash windows - but a tight budget. How should I dress them?

An elegant Roman blind will give a clean and simple finish to your room. Or, if you prefer curtains, don't think that having high ceilings means you can't get away with ready-mades. Sash windows look great with floor-length curtains, so choose the longest pair you can find. If they come up short, add a contrasting 'hem' to the bottom of the curtains for an elegant look. You don't even need to be a dab hand with a sewing machine as you can simply iron on some Vilene Extra Strong Wundaweb (£1.99 for 3m, http://www.amazon.co.uk) for a quick fix.

How do I revamp my interior doors?

I want to revamp my interior doors. I've sanded them down and chosen the paint, but I've heard there's a special way to do the job - can you explain?

Preparation is key. Wipe the door with a damp cloth to get rid of dust, then leave to dry. To paint, wedge the door open, remove the handle and fittings and slide a dustsheet underneath. If it's a panelled door, paint the mouldings around each of the recessed panels using an eggshell or gloss paint, then paint the panels, working from the top downwards. Paint the horizontal cross rails starting at the top and working down, then paint the vertical centre rail and two side rails. Finally, paint the door's side edges. A second coat is usually needed after the first has dried. When completely dry, pain the doorframe and surrounding architrave. If it's a plain door, imagine a vertical line down the centre, and horizontal lines running across, dividing it into eight or 10 squares. Paint the top left, then top right, working down. To paint a glazed door, stick masking tape around the edge of the panes to protect them. Then start by painting the mouldings as you would a regular panelled door.

What's the easiest way to use pattern?

I'm really keen on using plain colours in my home, but I'd also love to introduce a block of pattern to update my style. What's the easiest way for a pattern novice to get started?

Start small, limiting yourself to a few accessories such as a cushion or a lamp shade with a bold design. The easiest design to work with is one that has a white or cream background and a simple motif. Pick any patterns you want to use in just one colour, so you can add to the scheme as your confidence grows and you'll know that everything will always work together.

How can I divide up a long, narrow room?

I have a long, narrow living room - what's the best way to divide up the space, without doing any building work?

A long narrow room can feel quite daunting, so it's best to divide it up into two 'zones'. You might have a living zone and a dining zone, or a relaxation zone with the television, plus a quieter area for working. Use a sofa or open bookcase as a divider and you'll be left with two much more manageable room shapes. Use the structure of the room to decide what function would suit each area. For example, a focal point such as a fireplace is ideal for building a living area around, while the space by the window is great for a dining table or mini home office. Don't worry if there's no obvious focal point - if you use the area for entertaining, make your sofa the centre of attention.

What sort of carpets are suitable for hallways?

I've been told I need a heavy-duty carpet for my hall and landing, but i don't know exactly what I should be looking for. Can you help?

A carpet that's labelled 'Heavy Domestic' or 'Extra Heavy Domestic' should be able to cope with the high traffic of busy areas such as a hall and landing. To be certain the carpet has been rigorously tested, look for the Carpet Foundation Quality Mark. A carpet containing around 80% wool and 20% nylon is more resilient and less prone to flattening than other types, as nylon fibres are extremely hard wearing. Don't stint on underlay, as a good-quality version will prolong the life of the carpet even more.

What curtains work best against radiators?

My radiator is under my window, but I don't like short curtains. What are my options?

Teaming narrow dress curtains with a blind is a good solution. Dress curtains are narrower than standard curtains and aren't designed to draw across the window, so they won't prevent you enjoying the heat from the radiator, but they'll still give you the look you want.

Is there a knack to matching up patterned wallpaper?

I'm having a go at putting up wallpaper for the first time. Is there a knack to matching up patterns?

If the room has a focal point such as a fireplace, start papering here; otherwise, start from a window. When measuring the first wallpaper length, make sure a whole motif will be at the top of the wall, then allow an extra 5cm on the top and bottom, which you'll trim off later. If the wallpaper has a straight pattern repeat, the motifs will line up horizontally across the wall, and you need to cut each length starting at the same point in the design. If the design is offset, the motifs line up diagonally, so each length needs to be moved up or down to allow for this. Once you've hung the first length against a plumb line on the wall, you can slide the second length into position for a perfect match, or pull it away and reposition it.

Does blue paint have to look cold?

I want to paint my bedroom blue, but it's north-facing. Will it look too cold?

Blue needn't be a cold colour if you pick the right shade and balance it with some warmer tones. A sky blue will look cheerful, and can be warmed up with cream paintwork and peachy-toned highlights. Alternatively, pick out a blue paint that's close to violet and has a pinky tone. You can then accessorise with a pink, floral bedspread or curtains for a warmer look. In a north facing room, the blue shades to avoid are those that seem dull or have a grey tinge.

Can you help us locate a stunning feature radiator?

We are having an awful lot of difficulty finding a feature radiator for the living room. To be honest, we haven't been impressed by any of the the 'Art' radiators we've seen so far so thought we'd ask for expert advice instead. The wall dimensions are 4ft x 13ft.

There's been a huge push recently to turn radiators into sculptural pieces that can hang on the wall rather than being utility elements designed to blend into the home. Some are good, some are tragic , but they all cost a small fortune. Several of the most impressive are made by Caleido, who have produced a number of highly textural variations, such as their great Honey, Skin and Air models.

Where can I find curtain poles with the 'Wow' factor?

I've inherited a beautiful swagged curtain in a fantastic gold and black silk fabric. I'm planning on having it in the bedroom, but wanted to source some curtain poles and fittings that will keep the wow factor. We don't have much on offer in my area and the DIY stores' offerings are a little twee. Do you have any suggestions?

Fabricant designs and produces just the sort of fittings you're after, well detailed and individual. What's more it has a superb range of finishes to choose from (gunmetal is a favourite). The traditional finials and tiebacks are all there, but the contemporary selection has some real gems, like the Portcullis and Reeded designs. A popular pole size to use is the 50mm, and I'd budget about £800 for the full ensemble.

We want to match our original brickwork to that of our extension.

We're planning an extension and want to match the brickwork of the main house, but can't find anything that looks close. The building dates back to about 1820. Do you have any contacts?

There are about 2,000 types of bricks on the market, so there's usually something similar. As well as the huge range of new bricks, there's a massive market for reclaimed brick, so check your local architectural yard. Builders merchants are also usually good sources, but your best bet is to call in the specialists like Brick Find.

Is coloured lighting in a bathroom floor possible and, if so, is it safe?

I've seen a picture of a bathroom with coloured lighting in the floor, which I'm interested in recreating at home. Do you know of a supplier, and is this lighting really safe for the bathroom, as I have a very inquisitive two year old?

I imagine you saw fibre optic lights rather than halogen, which, although they run on a safer low voltage, get very hot. Fibre optics are perfectly safe for wet areas like bathrooms and also outdoors, because the actual light source can be housed out of harm's reach, many metres away. All that's required is to route the fibre-optic ropes (which are just like a tube that the light is piped down) to where you need the lighting, and then cap with the finishing lens fitting.

Be warned: colour changing lighting can be more disco than spa if not done professionally, so sticking with static colours is recommended. The positioning and the installation still need to be well considered and competently carried out, so don't rush into fitting this type of lighting just on a whim.

Good-quality fibre optic kits can be bought online for around £400 through Unlimited Light.

Can coloured lighting be installed in a bathroom floor, and is it safe to do so?

I've seen a picture of a bathroom with coloured lighting in the floor, which I'm interested in recreating at home. Do you know of a supplier, and is this lighting really safe for the bathroom, as I have a very inquisitive two year old?

I imagine you saw fibre optic lights rather than halogen, which, although they run on a safer low voltage, get very hot. Fibre optics are perfectly safe for wet areas like bathrooms and also outdoors, because the actual light source can be housed out of harm's reach, many metres away. All that's required is to route the fibre-optic ropes (which are just like a tube that the light is piped down) to where you need the lighting, and then cap with the finishing lens fitting.

Be warned: colour changing lighting can be more disco than spa if not done professionally, so sticking with static colours is recommended. The positioning and the installation still need to be well considered and competently carried out, so don't rush into fitting this type of lighting just on a whim.

Good-quality fibre optic kits can be bought online for around £400 through Unlimited Light.

How can we display our photos and children's pictures?

We've got lots of our sons' school and nursery pictures and we've been searching for a way to display them. We did see a solution in a magazine, which was almost like a washing line - a suspended wire you could peg pictures to. Do you have any ideas?

Yes, the 'washing line' idea is probably the most simple way to clip up pictures. Just hang a wire or string between wall hooks and attach the pictures with wooden clothes pegs which can be painted any colour you like. Another idea is to designate a 'graffiti wall' space to display art, painting picture areas and frames, which can then be filled up. You could also paper a wall in the now classic wallpaper 'Frames' by Chris Taylor and Craig Wood for Graham & Brown (0800 328 8452).

Is there a company that stocks Japanese soak-in baths in the UK?

We are about to start designing our first flat. The bathroom is very small and we would love to have a Japanese soak-in bath to enable us to have a shower as well. We have looked through lots of UK websites, but nobody seems to have what we're after. Any ideas?

What you're looking for is sometimes referred to as a Roman bath and many people in the UK are interested in sourcing these. Unfortunately, although they are common elsewhere in the world, we've not yet found anyone who imports them to the UK. Your best option may be to have one specially made up. Eros2 can produce bespoke granite and marble/resin shower trays in a range of colours, so you'll be able to have something unique tailored to fit your requirements exactly.

Can we use stainless steel as a splashback on a curved wall?

We are planning to refit our kitchen soon and would like to use stainless steel as a splashback. The problem is that the walls are very curvy and the oven sits in an alcove that's quite rounded. Where can we get sheet metal made to fit this complicated wall?

It sounds as if you're setting yourself a rather difficult task with a surface that's as complex as this. Sheet stainless steel is easily fabricated for flat surfaces and simple rolled curves, but anything more demanding than this and you could end up with messy welds, folds and seams that would ruin the whole look. Your best solution when working with curved surfaces is to go for mosaic tiles, and there's a stunning range of metallic tiles called Metallismo produced by SICIS. The tiles are rust- and scratch-resistant, are available in both gold and silver, and there's even a unique mixed range in various mosaic shapes. So, rather than have a fairly uninspiring run of plain stainless steel splashback, you could create something really breathtaking.

Can you suggest a light fitting to complement our dark, richly decorated living room?

We'd love some advice on a suitable hanging shade for our living room. The area is panelled and has dark-wood flooring, plus we have deep reds, greys and brass fittings within the colour scheme. We want the space to keep its dark, smoking-room look, and need a light fitting that would complement this.

If you want to preserve the 'gentleman's club' feel of the room, then I'd suggest not choosing a bright shade, but one that conceals light. It needs to have a definite air of grandeur and solidity, so no wispy lighting features here. CTO's Apollonaire range would be perfect. It has an elegant embassy-look black cotton shade with a fabulous hidden gold interior.

Can you help me find a product that provides natural light in a dark room?

I'm searching for a product I know is available, but whenever I ask at local builders' merchants, they look at me as if I'm talking a different language. The product is a cylindrical tube that has a mirrored internal surface and a clear tile cover to the top and the base. It's used to provide natural light in a dark internal space. would also assume it can be extended to allow for variations in depths between roof and ceiling covers.

The product you're looking for is called a sun pipe. It's basically a very highly polished/mirrored tube with a lens on top that collects light and funnels it down the tube.

Is it safe to adapt Ikea shelving units?

We have an Ikea shelving system in our study that my husband wants to 'adapt' to fit a disparate collection of hi-fi equipment. Is it OK to cut and add to shelving like this, or will we end up with something unsafe and unusable?

Adapting Ikea products is not for the faint-hearted. Because of the materials Ikea uses, you may end up with messy edges and you could lose some of the structure's rigidity. It may be worth getting a joiner to make it up 18mm MDF instead, or check out the range of adapted Billy shelves at Ding3000.

Is it possible to dye or stain laminate flooring to match existing flooring?

My son's south London flat was mainly laid with a laminate floor when he bought it. The long hallways was carpeted, however, so he replaced it wit ha laminate. Unfortunately, it's a much lighter shade than the existing flooring. Is it possible to dye or stain laminate flooring to match and, if so, where could I source such a product?

Not a chance! Laminate is actually a paper photoprint coated with resin and, because of its resistant properties, you'll have no luck tinting it. If you want to change the colour, your only option is to go for a new floor. It's possible to lay a new one on top of the existing floor, but you may then have to re-set the skirting boards and cut the bottom of the doors to the higher floor level. However, as laminate is a poor imitation of wood and you can now get the real thing for a good price, why not replace it entirely? Engineered wood boards are slices of real wood sandwiched with insulation that absorbs noise. They can also be sanded in the future. Kahrs does engineered boards from £16 per sq m. Or visit Wickes, which sell solid pine flooring for less than £15 per sq m.

Where can I get a modern turned wood table without a designer price tag?

I've seen a gorgeous red table that's made by Zanotta with a turned wood stem. It's out of my price range, but I'd love something similar. Any ideas where to look?

The Zanotta table you mean is the Doris by Dominique Mathieu. This season there's turned detail on lots of pieces of designer furniture, so you shouldn't have to look too far to get something close to what you have in mind. For starters, Habitat does the Spin table by Alex Dreyer, £499, which is nice and sleek, but not red unfortunately. If you really want that colour, then another option is to buy an antique piece and paint it in RAL3003, which you can get mixed up in Dulux paint. Now is a very good time to buy, as prices have tumbled. And don't be put off by things that aren't exactly what you are looking for; a lot of antique furniture can easily be updated wit ha splash of colour or new upholstery, so get down to your local auction room.

I need inspiration to help create a Fifties-style diner kitchen.

I'm looking to get some inspiration and help to design a Fifties-style kitchen-diner. I don't have a lot of space, but I'm happy to take on board any ideas.

In the Fifties, Italian cafés in London featured great materials, like strongly patterned Formicas, chrome trims, sharp angles,expressive typefaces and coherent interiors that were expertly detailed..

The glass in my Forties dining-room-divied needs replacing. Where can I get similar glass?

I'm trying to find a special patterned glass for a Forties dining-room divider. The divider is made from teak and has long, vertical panels of glass with bumped stripes , which look like a lens. Unfortunately, one of the three panels is badly damaged and our local glazier has told us we are unlikely to find anything like it. Can you help?

I think you're describing 'reeded' glass. It's not common and you may find that modern versions have thinner reeds than older glass, which tends to be more pronounced. Pearsons Glass has a few designs with reeding up to 8mm wide which costs around £45 per sq m.

Where can I get set of large curtains dyed?

I've inherited a set of large (8ft drop) cotton curtains with swags and cords. The overall size and shape is perfect for where I'm going to use them, but the colour is all wrong. I've searched for someone to dye them to a more usable colour, but no one can do this size of curtain, and I wonder if you know anyone that could help me.

Unfortunately, there are very few options in London (surely a gap in the market here! ), but Chalfont Ltd (020 7935 7316) in Baker Street can help you. Expect a turnaround of about five weeks and be aware that Chalfont only dyes natural fabrics, not synthetics.

I want to change my light switches, but the recesses are too shallow. What should I do?

I live in a Thirties mansion block and recently wanted to replace all the light switches with dimmers. When I removed one of the switches, the recess behind it was too shallow to contain the modern dimmer. Are there shallower switches or will I have to get all the recesses made deeper?

Most standard fittings are relatively thick unless you go for more complex electronic sensor switches, which we wouldn't recommend in your case. Any electrical work needs to be undertaken and certified by a qualified person (this is all to do with the Part P building regulations - find an electrician at niceic.org.uk). And also get the electrician to sort the recesses, too, to be on the safe side.

What's the best method of painting over strong colours?

What's the best method of painting over strong colours? I'm currently redecorating a buy-to-let flat that has garish green and red walls, which are a still showing through after three coats of paint. First paint over the colour with a grey undercoat. This deadens the colour and stops it coming through when you paint your final colour choice. Another factor to consider is that most DIY paints can be a little thin in their consistency, and therefore coverage, so it's worth spending a bit extra to buy professional paint. One of the best white emulsions around is made by JW Bollom.

How can I keep flies out of my house in the summer?

Now summer's finally here and I can open all the windows, I'm getting more and more annoyed by all the flies that get in the house. I don't want to put up nets or to keep windows shut all the time. Any ideas?

As we head for hotter summers, this problem is growing. After suffering the same problem myself, I discovered a brilliant (and cheap, at £1 per m) material - black 'dress net,' the stuff used for tutus and veils. Fixed across windows, it becomes almost invisible, but still allows a breeze through, so your home can look modern and have the windows open all night. Available in fabric stores and at Fabricland.

Saturday, June 22, 2013

Tuscan Designing Suggestions To Make Designing Your House Easy - Discover Why It's The modern Most Widely Used Tren

The sun's rays is gradually sinking behind the Tuscan hillsides. Heaven is alive having a warm, rosy-red-colored glow. Nothing may well be more relaxing than imagining yourself taking pleasure in
This view.

If you'd like to create the peaceful, beneficial Italian Tuscan countryside to your
home, continue reading:
To produce a distinctively Italian look, the next
aspects have to be considered: utilization of a bold design and original color plan,
focus on detail, interest in quality along with a desire to have creative and dramatic
accents. Italian designing expresses the distinctiveness from the owner.
Clearly, Tuscan home designing can involve many variables. You may create
a glow, your own personal ambiance by choosing from quite a number of
distinctively Tuscan décor add-ons.

Bring this " old world " flavor to your room with bold simplicity. You'll achieve
this by integrating textural contrast and earthly colors.

Consider color first

when designing your thing. The Tuscan people felt an association
to character, in the landscape to agriculture, so select from these wealthy, earthy
tones: golden essential olive oil, terracotta, luscious olive eco-friendly, deep browns, wealthy
burgundy, Mediterranean blues, burnt orange and golden yellow. These colors
might be designed to look endured or moderate to produce a beautiful, timeless
beauty.

Among the primary options that come with Tuscan--Italian décor may be the abundant utilization of
texture. Add texture for your walls by mixing your fresh paint with texture chemicals.
Wall texturing ideas include Venetian hands plastering, suede or granite texture
offers or sponge style painting techniques. These wall programs can give your
room the old world touch.

If you're planning a entire room transformation, you should think about stone tiles or
hardwood flooring for an entire Tuscan decor look. However, you may attain the Italian theme, using the incorporation of the couple of great furniture options and residential
accessory pieces.

Solid hardwood furniture with textile or leather covers would be the trademark of the
authentic Tuscan home. Consider traditional, very comfortable style furnishings
to drag off your Tuscan feel. Shoot for quality, originality and private comfort.

A lot of the décor utilized in these traditional houses were from items that
were readily available in the area. With the aid of local skilled artists, many
unique works were produced. Typically the most popular materials used were tapestry
textiles, tile, wrought iron, ceramic, pottery, marble and difficult forest.
When choosing your Tuscan adornments, begin with an emphasis piece and exercise
after that.

I would suggest that you simply choose an Italian-Tuscan designed tapestry
Homedecoratingstudio.com has some good tapestry options. A wall tapestry
will prove to add texture, warmth and color. Tapestries are ideal for any room inside your
home--regardless of the theme. Choose a few of the colors inside your tapestry to make use of
as accent colors throughout your living space.

Tuscan wrought iron is a vital feature for the Italian décor. Begin by choosing an ornamental fishing rod for the tapestry. Now that you've got placed your tapestry
over the sofa or fire place mantel, you might now choose add-ons to accomplish the whole wall. Tuscan wrought iron wall grills make very attractive accents
having a tapestry. The iron provides the sturdy, but simple Italian style and also the tapestry softens the search for a welcoming, comfortable feel. You will find some good samples
of popular metal wall décor at homedecoratingstudio.com. You'll always discover the latest in Tuscan metal décor within our online home designing catalog.

While you still add pieces for your room, make sure to combine textures,
styles, colors, and shapes to produce YOUR Tuscan room. Other trendy wall
décor which will bring your living space to existence can include metallic wall, mantel shelf. A
more recent, trend in Tuscan wall décor are metal wall pockets and candle
wall sconces. Why is the add-ons meet your needs, is getting unique
detailing and character, by having an " old world ", aged finish.

Another interesting idea for the wall will be a wall clock. Wall
clocks have grown to be an absolute must have, functional home décor piece that accessorizes
any style home décor. Search for time of metal or perhaps a Tuscan style, hardwood frame.
Home designing studio features an array of very good quality, unique wall
clocks that might be an excellent accessory for your Tuscan room.

Small, final touch accents may certainly be added. Consentrate on everything
with the addition of your very own touches, incorporate such pieces like a grape
highlighted floral wreath or garland, word paintings and presented Tuscan paintings
or presented, inspiring verse art.

Your casual, Tuscan designed entertaining area requires touches of décor featuring
wine: wine and grape paintings, metal bottle of wine holders and wine word art.
Turn it into a fun, classy place to entertain with unique, quality pieces that can help
you project a geniune Tuscan-Italian theme perfectly. Add some wine, glasses,
Serviettes etc for that complete look.

The final areas to think about, are the shelves, countertops, mantels and table areas.
Search for unique pottery pieces--vases and pitchers chunky ceramic, marble or iron candlesticks metal or ceramic containers unique metal, bottle of wine holders and enormous decorative battery chargers. Keep in mind, it is all about texture and color. We've got some wonderful, unique tuscan designing add-ons within our online catalog. For any fresh, unique
choice of Italian-Tuscan home designing add-ons take a look at home designing studio's online catalog they've this is the very best in selection, quality and cost.

Article compiled by Belinda Crouse of http://world wide web.homedecoratingstudio.com with 3 decades
experience of the present and residential décor market.

Friday, June 21, 2013

The Price Of Using Marble Tiles For Your House

The trendy status of marble tile has survived for hundreds of years. One of the leading aspects that marble is known for, is its role in the building of art work overall, it's treasured because of its refined, regal, decorative appearance.

Marble can also be noted for its flexibility in the building of items from sculptures to monuments, and wall tiles to flooring. But due to the associations almost everyone has with marble, regardless of what application you are thinking about, it makes sense certain to be seen being an artistic statement, and something that's designed to last.

At the moment, marble tiles are becoming increasingly more programs, including use within lavatories to using marble tile within the hallways of business structures. You could state that marble, that has been a fixture because the Dark Ages, can also be taking pleasure in a renaissance of their own.

The astounding strength and toughness of marble causes it to be among the longest-lasting floors on the planet. Marble also cleans using the finest of ease. Using marble tiles for flooring is a great approach to developing a unique creative expression for your house, making your floor appear truly decorative and appealing.

Marble flooring happen to be a vintage choice within the area of architecture because of its certain features that causes it to be a quite unique material. A few of these marble tiles are really processed to take a look known as as tumbled marble, which really provides the marble tile an old-fashioned and well-worn finish. This kind of marble tile may be used to accent other kinds of tile, and it is very adaptable when it comes to application and performance because it is available in several shapes, colors, dimensions and fashions.

Just How Much Do Marble Tiles Cost?

Gemstone tiles for example marble, granite, slate or even more start at a sq . ft ., or 0 for 10x10-ft, but costs soar quickly for custom-made designs or special orders.

Ideas To Remember When Setting up Marble Tiles

Marble is really a soft stone and might be broken by grime or any other materials that could scratch its surface. It may be also dinged up by wax buildup or through the use of improper cleaning materials. Acidic material for example colas, cleansers, coffee, juice and wine may dull the top. The richness and extent of the high-gloss polish finish is achieved by machine sprucing up the ground correctly using light cleansers. Before setting up the tiles, listed here are a couple of footnotes to keep in mind.

- Marble tiles could be installed over a current floor, provided it's smooth, level, washed and tightly connected to the subflooring otherwise it should be removed. The tile should be organized dry and all sorts of pieces ought to be cut to suit of all time glued lower and mortar spread between your tiles. Usually, there is a possibility of some breakage to happen when cutting, therefore it is standard practice to buy 10-20 percent extra. What this means is you will have some readily available for future repairs.

- If utilizing manufactured tiles regardless of the sort, ensure that they're all in the same lot and shade amounts, or produced from exactly the same batch.

-Tile grout is available in a variety of colors, and really should be selected to choose your tile.

-An under-tile warming system costs ,100 or even more for any 10x10-feet bathroom

Marble Tile Flooring - http://tilenet.internet

Thursday, June 20, 2013

Monarch Specialties 3-Piece Promotional Table Set, Grey from Monarch Specialties

Already Have the newest Monarch Specialties 3-Piece Promotional Table Set, Grey For You

How many times have you obtained a new Monarch Specialties 3-Piece Promotional Table Set, Grey only to discover that this lacks each of the features you undoubtedly expected it possess or that for one reason or any other, it simply doesn't operate the way you required the item to? Well if you have then you're likely to truly fall in love with the most recent model from Monarch Specialtiesas our organization warranty you won't ever be unhappy with its efficiency.

Monarch Specialties 3-Piece Promotional Table Set, Grey

We all likewise know that whilst how well our brand new Monarch Specialties 3-Piece Promotional Table Set, Grey executes is critical for you, it is not the only reason you may think about updating one that you already have. Typically when it comes to this kind of item you are equally as curious about the built-in functions which it is sold with. This is how you will see that our new item far outshines the other sellers in a massive way.

We have went to great lengths to make certain that we paid attention to that which you really need to see in the Monarch Specialties 3-Piece Promotional Table Set, Grey prior to developing our model. our latest brand includes as many of these characteristics as our organization could possibly create into it. When you find yourself willing to purchase a new product such as this, you want to know that your cash is going to be spent well. We are certain when you notice all the things our completely new item is able to do, you will understand that it is definitely worth the everyday low price We are offering it for.

Monarch Specialties 3-Piece Promotional Table Set, Grey
List Price : $258.99

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Add a classy appeal to your space with this grey marble 3 Piece table set. Its sturdy block legs are designed with subtitle details that accentuate this piece. Place a lamp, picture frame, plant or any decorative accent on this functional set. In a rich white solid-wood finish, it will add warmth to your room.

Feature

  • Durable melamine coating
  • Assembly required
  • 3 Piece set includes coffee table and two end tables

Wednesday, June 19, 2013

Designing Latino Style

Maybe you have checked out a house décor magazine and wanted your home or family room appeared as if that. After some time, effort along with a little hard work you'd be amazed at what you can do and save. Lately everybody has caught the “Latino Bug” because all of us love the thought of adding some spice within our lives as well as our very own living spaces. If you're considering simply spicing up an area just like your family room, take a look at your mind. There's pointless you need to hire an inside decorator who charges 1000's of dollars to complete exactly the same factor you could do. Below are great tips that may enhance your family room utilizing a “Latino” theme:

1.Fresh paint- Visit the home improvement store and buy some interior wall fresh paint inside a calid shade for example deep or maroon red-colored, Sunrise Orange, or perhaps Brown. Fresh paint the area together with your selected color to produce a bold look.

2.Furniture- If it's affordable, buy new latino-esque furniture. Otherwise, just buy a couple of sofa covers in certain neutral shades that complement the selection of wall fresh paint color.

3.Flooring- If you're on a tight budget, search for laminated tiles using browns, yellows, and coppers. If you're able to spare just a little switch to enhance the look, you can buy Mexican terra-cotta flooring for a classical look.

4.Lighting- Recessed lighting will invariably help produce a attractive and warm look.

5.Add-ons- Decorative add-ons would be the final touches which will surely result in the improvement in how the many other elements will get together. A useful source of Latin style add-ons is [http://world wide web.LatinoSpiceDecor.com]. Search for add-ons which will complement your flooring, wall and furniture color scheme. I'm especially keen on their Aztec Shot Glasses as well as their Diego Rivera Art Prints. They're neutral enough to suit any color scheme you select. Don’t hesitate to brighten your walls with indigenous style wall hangings. You might display a Marble Aztec Pyramid or perhaps a decorative Aztec Tequila Bottle as the table focal point.

Follow many of these tips and you're sure to finish track of a family room fit for entertaining visitors. You will find that the warmer tones can create a far more lively and welcoming look that the visitors will like. The add-ons and design for flooring will certainly function as the subject of conversation at the next party. You never know, you might finish up hosting a salsa dance contest. Have some fun designing!

Tuesday, June 18, 2013

Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top from Convenience Concepts, Inc.

Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top
List Price : $226.00

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We Want You to Try Our Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top We Are certain You Will Love It

Over the last couple of years since technology is transforming rapidly and we have proceeded to work hard to remain at the cutting edge, we're also sure that you will certainly you will discover the most up-to-date Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top is as ground breaking as you are going to discover. We're also moving hard to come up with a new product which not just does exactly what you got it for, and yet will significantly exceed your expectations.

Our Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top is the results of months of studies and hard work, at Convenience Concepts, Inc. our team of industry professionals have expended many hours working to guantee that our most current product is the result of this effort. Our company is positive you are likely to find that all of the characteristics we've jam-packed inside this version won't just do anything you're purchasing the item for, it is going to do many things which you did not actually thought of.

Most of the people buy a Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top for the most basic characteristics, however we've found and are quite sure you will notice that once you discover exactly what our most recent product is capable of doing, you will speculate how you previously got by without one. When you are prepared to buy a product which will make your daily routine much easier, we are certain our most up-to-date product does not just fill the bill, it will provide greatest value for your money and give you numerous years of service.

Click here to see Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top full review & compare prices

Convenience Concepts M6042192 French Country Coffee Table with Bottom Shelf, Black Faux Marble Top

French Country Faux Marble Coffee Table with Shelf by Convenience Concepts, Inc. Convenience Concepts brings you exciting and affordable furniture. Combining exciting designs with economical overseas manufacturing to bring you the finest in sensible contemporary furniture. Focusing on R-T-A Entertainment, TV, Storage, and Accent furniture. The maximum weight capacity of the item is up to 15-20lbs on the top, and 10-15lbs on the bottom shelf.

Feature

  • Contemporary coffee / cocktail table
  • Constructed of solid wood, faux marble and MDF
  • Features Bottom shelf for display and storage
  • Coordinates with any decor
  • Item Dimensions: 48-inch W by 17-inch D by 17-inch H

Monday, June 17, 2013

The Very Best Sea Front Hotels in Nj

Nj is really a place with lots of beaches and resorts well suited for family trip or business leisure. Ideal hotels with this great vacation adventure are individuals in the sea front that gives your family the posh of remaining near the beach. Nj offers many sea front hotels of your liking, varying in the most extravagant towards the most cost effective packages.

Golden Motel Hotel &lifier Resort Avalon NJ
The Golden Motel Hotel &lifier Resort Avalon NJ provides the best accommodation you need for the vacation needs. Stroll and have a plunge around the obvious water beach just while watching hotel.

Your accommodation offers 154 guest rooms which include a marvelous look at the sea. Guestrooms are supplied with 27" colored Televisions, temperature controls and also the best bedding necessities for optimum comfort. An in- house laundry services are available so there's you don't need to be worried about cleaning individuals swimming wears.

You will find various kinds of guestrooms which include different amenities. The next rooms on offer are ::
Standard Rooms
o 1 king mattress or 2 full beds
o Refrigerator

Efficiency Rooms
o 2 full beds or 1 king mattress
o Small refrigerator
o Microwave oven
o Sink
o Single sleeper sofa

Luxurious Studio
o 2 full beds or 1 king mattress
o Dinette table
o Small refrigerator
o Sleeper sofa

Luxurious Sea Front Studio
o 2 full beds
o Small refrigerator
o Microwave oven
o Sink
o Dinette table
o Sleeper sofa

Luxurious One- Bed room Suite
o 2 full beds
o 2 full baths
o Separate living space
o Full- sized refrigerator
o Microwave oven
o Breakfast bar
o 2 burners stove
o Dining table
o Sleeper sofa

A celebration room can be obtained for corporate workshops or conferences which could accommodate large groups. It features wi-fi access, 32" video monitors, ergonomic chairs, as well as a place for coffee breaks. Additionally, an expert coordinator can be obtained to help visitors when preparing of specific occasions and guarantees an inconvenience- free event.

Visitors may benefit from the food in the diner that is encircled by glass walls to have an outstanding look at the sea. Food ranges from fresh sea food, preparing salads, desserts, and also the best wine. A poolside Beach Club provides visitors a choice to refresh and revel in some snacks right in the poolside tables.

The Breakers around the Sea
The Breakers around the Sea welcomes its visitors with memorable experience with holiday with the hotel's modern facilities. The lobby area was created with granite flooring and glass home windows, with etched designs that look like a European classic theme.

Guestrooms sit fronting a look at the sea. Each room is stylishly decorated with a number of size with respect to the category. Probably the most spacious rooms would be the Tower, Luxury Superior, Luxury Luxurious and also the Luxury Special Rooms. These rooms include marble gas fire place along with a sofa.

Room Amenities:
o Table with Chairs
o Gilchrist &lifier Soames Bath Amenities
o Hair dryer
o Iron and Ironing Board
o Alarm Clock
o Cable TV with Handheld Remote Control
o Complimentary High- Speed Access To The Internet
o Telephone with Personal Voicemail
o Mini Refrigerator
o Air Conditioning or Heater

The Seashell Dining Area offers its visitors with several options for his or her delight for example Italian cuisines, sea food, meats and lots of other menus. The Veranda Restaurant also provides different options of breakfast and lunch.

Hotel Amenities:
o Room service
o Lounge
o Non- Smoking Rooms
o Complimentary wi-fi access
o Cribs
o Swimming pool
o Fax service in front desk
o Fitness Center

Your accommodation may also arrange any special occasion for example business conferences, conferences, and wedding ceremonies. You will find professional employees which could assist visitors in planning and coordination of those specific occasions.

Sunday, June 16, 2013

UNC - Home Indoor Furniture and Decor, Table Lamp from UNC

Recognize You Will Love Our New UNC - Home Indoor Furniture and Decor, Table Lamp

Just when you considered that nobody would enhance the UNC - Home Indoor Furniture and Decor, Table Lamp any more the latest edition coming from UNC is going to affect the way you look at the item forever. We've been developing and putting together these items for countless years and are quite certain that you are going to find all of the new features we have incorporated will provide you with a very good reason to trade in your previous product and update to the latest offering.

UNC - Home Indoor Furniture and Decor, Table Lamp
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While all of our former designs have for ages been on the cutting edge of technologies, we are incredibly very proud of the UNC - Home Indoor Furniture and Decor, Table Lamp our most up-to-date offering. Not simply are we confident you'll appreciate each of the most recent capabilities we have incorporated, but you are will be thrilled with the fact that we have managed to maintain the price of our product so minimal at a time when numerous other UNCs are elevating theirs.

At UNC, we have went further to guarantee we incorporated these additional features that you've been seeking in a UNC - Home Indoor Furniture and Decor, Table Lamp for decades. Our research staff has been being attentive to your commentary and wants so we are certain that you will find that our newest item has been built to target all of them. We understand that once you obtain it from the mail that you will be completely delighted with the purchase and think that your cash was wisely spent.

Click here to see our UNC - Home Indoor Furniture and Decor, Table Lamp full review & compare prices

UNC - Home Indoor Furniture and Decor, Table Lamp

Home Indoor Furniture and Decor: Table lamp/coffee bronze metal/off-white linen shade/150W bulb not included/34"H/12"H x 17"W x 12"D shade/made of metal, marble, fabric, and hand applied finish

Feature

  • UNC - Home Indoor Furniture and Decor, Table Lamp
  • Home Decor, Miscellaneous
  • PCD: 30718006
  • Ship to US only
  • Please refer to the title for the exact description of the item.

Friday, June 14, 2013

Alfresco Home Basilica Indoor Outdoor Marble Mosaic Side Table from Alfresco Home

Alfresco Home Basilica Indoor Outdoor Marble Mosaic Side Table

In a world full of amazing gizmos which are expected to make our way of life simpler, it may be tough to consider that something new or perhaps significantly improved upon may come around. Alfresco Home is here to inform you that not simply have we launched a totally new Alfresco Home Basilica Indoor Outdoor Marble Mosaic Side Table for you, but that what we are inventing is going to blow the opposition aside. Never before has any one developed such an extremely valuable item and now we will provide you the opportunity to aquire one for yourself.

As you well noticed it requires more than just proclaiming that something is both brand-new or maybe enhanced to make it so. We recognized this as we started to make our new Alfresco Home Basilica Indoor Outdoor Marble Mosaic Side Table and were determined to ensure that it's got everything you might actually want. We set out to create a product that would not just be better than something our competition placed on this market, but would leave them so far behind there's no way they even can come near to making up ground.

Since you now recognize our Alfresco Home Basilica Indoor Outdoor Marble Mosaic Side Table has been positioned as the very best in the marketplace, what things can we possibly do to make it best of all? For starters we have included numerous extras which not one of the others on the market seem to have even planned. Nonetheless, since the accurate mark of a terrific product is in supplying genuine bang for your buck, we have established the price so exceptionally low they are flying off the shelves.

Alfresco Home Basilica Indoor Outdoor Marble Mosaic Side Table
List Price : $359.00

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At the core of Alfresco Home is the timeless elegance and superior craftsmanship of the Mediterranean-inspired Marble Mosaic Collections. Utilizing a variety of natural stone marble, travertine, and slate, the distinctive mosaic dining and accent pieces complement a wide range of indoor and outdoor settings. The individuality of each hand-cut and polished tile lends the mosaic collections to natural variations as is evidenced by the unique color, texture, and natural appearance to every individual unit. Constructed using industrial adhesives for ultimate durability, the mosaic table tops have been field tested with excellent durability results for over-wintering. Hand-set tiles in an iron support frame are grouted with resilient yet flexible adhesive compounds and speak to the quality engineering of what becomes a truly artisan creation. Table tops are finished and sealed with an industrial grade sealant for superior protection.

Feature

  • 20 inch Round Basilica Marble Mosaic Side Table with Base
  • Hand Set Marble Mosaic Tiles are from natural sources including marble, slate and travertine set in an Outdoor Industrial Adhesive Grout
  • Wrought Iron Frames are E-coated with a powder coat paint to provide a weather proof, rust resistant finish
  • Chairs come fully welded with an outdoor rated acrylic cushion that is water and fade resistant
  • Table top: 20" L x 20" W; Base: 15" L x 15" W x 21.75" H

Thursday, June 13, 2013

3-Piece Wood Coffee and End Table Set with Faux Marble Top by Coaster Home Furnishings

3-Piece Wood Coffee and End Table Set with Faux Marble Top

are sure You are going to Appreciate Our Brand-new 3-Piece Wood Coffee and End Table Set with Faux Marble Top

There are lots of companies that offer a 3-Piece Wood Coffee and End Table Set with Faux Marble Top among their major merchandise, while there is nothing specifically faulty with most of the them, that doesn't mean that there is anything specifically right with them also. This commonly is a typical problem when there are lots of various variations of a product available and one that our organization have sought to correct this situation by recreating one of our own.

Why might Coaster Home Furnishings develop our own model of the 3-Piece Wood Coffee and End Table Set with Faux Marble Top when there are numerous of them currently in the marketplace? The answer is that our organization feel that we have now built the top model of this merchandise you will find just about anywhere and we are certain that once you try it out, you will definitely really like the tiny personalized variations we have included in our most recent version. If you are searching for characteristics, you will appreciate that our product contains more characteristics than the rest of our competitors put together.

In the end are aware that it requires a lot more than an endless list of capabilities to create a effective product, we started off with a fantastic basic version and then we started to add the type of benefits we're also so well known for. What we were left with is a 3-Piece Wood Coffee and End Table Set with Faux Marble Top which is first rate available and may literally blow the competitors away. If you are searching for a awesome product that's well worth the money, you will notice that ours will be the perfect investment.

3-Piece Wood Coffee and End Table Set with Faux Marble Top
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3-Piece Wood Coffee and End Table Set with Faux Marble Top. Coaster realizes the importance of your home, which is why they have an endless variety of furniture in countless styles and designs. The designs are capable of fitting the needs all around the home and the quality is at a level you can trust. The marble looking table tops are a classy finish to this set. The attractive finish on the legs and apron give this piece some real visual appeal. Assembly Required. Coffee Table Dimensions: 44" L x 22" W x 15" H; 50.666 lbs. 3 Piece Set, Other Accessories Sold Separately.

Wednesday, June 12, 2013

John Richard Branch Cocktail Table with Marble Top EUR-03-0224 by John Richard

Now Have Our company's John Richard Branch Cocktail Table with Marble Top EUR-03-0224 Prepared to Send

Nothing is that can match the excitement which develops in expectation of a innovative product kick off and from John Richard the excitement has been developing for a few months as our new John Richard Branch Cocktail Table with Marble Top EUR-03-0224 has gone from the planning period towards manufacturing stage and lastly to the point where it is ready to ship. Although Our company's product will not be the earliest of its kind inside the retailers, we think it is the finest of them and also would love the ability to demonstrate this to you.

John Richard Branch Cocktail Table with Marble Top EUR-03-0224
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Inside the manufacturing community it doesn't take much to repeat someone else's ideas, and it's also a fairly prevalent practice and often brings about lower quality items. If you want a new product to be one that's deserving of your highly regarded brand in the marketplace, you should be prepared to put more effort into it than simply replicating the effort of other companies. You ought to be happy to be imaginative as anyone could make replications, and yet this is not what you want in a completely new John Richard Branch Cocktail Table with Marble Top EUR-03-0224.

When we created Our company's new John Richard Branch Cocktail Table with Marble Top EUR-03-0224, we began by being attentive to what you needed to find in this form of product. After that we proceeded to go the extra measure and also considered the way we might take all your ideas and produce them much better. What you see is the result of this effort so we are certain that you will see that our freshest device is well worth the low cost we are promoting it for.

Click here for the John Richard Branch Cocktail Table with Marble Top EUR-03-0224 full review & compare prices

John Richard Branch Cocktail Table with Marble Top EUR-03-0224

John Richard Branch Cocktail Table with Marble Top EUR-03-0224

Tuesday, June 11, 2013

3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set from Kings Brand Furniture

3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set
List Price : $499.99

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Proudly Carry the Latest 3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set

We're proud to share with you we currently Carry the latest 3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set from Kings Brand Furniture at significantly lowered selling prices. If you were waiting to purchase one of these until the selling price was best, there has never been a greater time than now. When you evaluate the reduced price we are able to deliver the product to you for, you will realize how having the ability to acquire it only at that all-time affordable price will make it one of the best discounts you've come across in a very long time.

There are many different variations of the product on the market; but there's only one made by such a highly regarded company name in the market. There are many reasons why you should buy your brand new 3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set from the Kings Brand Furniture that you recognize and depend on. In the first place you're going to get a product that is made by a corporation you are sure that you can depend on since you likely already have experience with a selection of their merchandise.

The 3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set from Kings Brand Furniture is not just yet another type of the ones which are previously available on the market. the product continues to be newly designed from the ground up to offer you a host of new features that may ensure it is significantly more useful than all of these products which you've tried previously. With the popular demand and the reality that the product arrives strongly recommended we're certain that you're going to be completely delighted.

Click here to read the 3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set full review & compare prices

3 Pc. Kings Brand Metal With Marble Finish Top Coffee Table & 2 End Tables Occasional Set

Feature

  • 3 Pc. Kings Brand Pewter Finish metal frame With Marble Finish Top Coffee Table & 2 End Tables Occasional Table Set.
  • Dimension: Coffee Table: 40"W x 19"D*17'H, End table: 19"W x 19"D x 21.5"H.
  • Simple assembly required.

Monday, June 10, 2013

A Transatlantic Crossing Using the Full Mary 2 - Part 1

Day One:

Driving up to the Port of Southampton's Mayflower Terminal and catching first glimpse of the white-and-black hulled Queen Mary 2, the largest, longest, tallest, heaviest, and most expensive ship ever built, evoked considerable excitement and awe. Docked to port at a 50-degree, 54.25' north latitude and 001-degree, 25.70' west longitude and facing a 116.4-degree compass heading, the 17-decked leviathan, with a 1,132-foot length and 148-foot width, featured a gross weight of 151,400 tons and towered above the buildings with its balcony-lined façade, eclipsing it with its 236.2-foot height. Its draft extended 33.10 feet beneath the water line. The floating metropolis, complete with its staterooms, restaurants, shopping arcades, libraries, theaters, and planetariums, would bridge, in six days, the European and North American continents, the equivalent in hours to the duration of the aerial crossing by 747-400, itself then the world's largest commercial airliner. But the oceanic crossing would yield civility, refinement, rejuvenation, emotional repair, and return to the slower, but more elegant era of steam ship travel-a journey, I would soon find out, would lead to a search for the maritime history of the past which had created the technology of the present.

Unlike the proliferation of modern cruise ships with their comparatively lower speeds and greater-volume, square-geometry hulls, the Queen Mary 2 had been designed as a next-generation successor to the 35-year-old Queen Elizabeth 2 and, as such, would have to offer the same year-round, passenger-carrying capabilities, predominately in the rough North Atlantic, with a design which sacrificed revenue-producing volume and lower construction costs of the traditional cruise ship for the required safety, speed, and stability of the ocean liner. Resultantly, it featured the same v-shaped hull configuration characteristic of the long line of its Cunard predecessors, constructed of thicker steel which carried a 40-percent greater cost than those of conventional cruise ships. Designed by Stephen Payne, whose inspirations for the bow had come from the Queen Elizabeth 2 and the brake wall from the Normandie, it was the first quadruple-screw North Atlantic ocean liner since the France of 1962. Payne himself, a naval architect born and raised in London, had been involved with the Carnival Holiday, Carnival Fantasy, and Rotterdam VI projects. The latter, incorporating a modified Statendam hull, had featured a less "boxy" hull shape than the traditional cruise ship, but had still been considerably removed a full liner design.

Intended for the primary Southampton-New York route, it incorporated dimensional restrictions dictated by the United States port, including a funnel height which cleared the Verrazano-Narrows Bridge by only ten feet and an overall length which exceeded the 1,100-foot pier of the Port of New York by 34 feet.

Constructed by Alstom Chantiers de l'Atlantique in St. Nazaire, France, which had also built the Normandie, and designated hull G32 by the shipyard, it had been the first Cunard liner ever constructed outside of the United Kingdom and, like Concorde, the world's fastest and hitherto only supersonic airliner, became the second British-French collaborative transportation project intended for trans-Atlantic service, although via vastly different, if not opposite, modes.

Its interior offered unparalleled space and comfort. Of the 17 decks, the first four were for machinery, storage, and the 1,254-strong crew; 13 were for the 2,620 passengers; and eight contained balcony staterooms. Notable features included a Grand Lobby, the Royal Court Theatre, the Illuminations Theatre and Planetarium, the ConneXions Internet Center, the Queen's Ballroom, a Winter Garden, nine major restaurants, 11 bars and lounges, an 8,000-volume library and bookstore, an Oxford University lecture program, performances by the Royal Academy of Dramatic Art, five swimming pools, sports venues, a Canyon Ranch Spa, a pavilion of shops, and a discotheque. These appointments would constitute my "home" for the next six days.

Symbolically reflected by its smaller QE2 predecessor berthed a considerable distance from its bow at the Queen Elizabeth 2 Terminal, the Queen Mary 2 represented a two-fold gross weight increase over its earlier-generation counterpart and, indeed, traced its lineage back to a long path of Cunard vessels which had spanned a 165-year period. I somehow sensed that the imminent crossing would not only be a journey of distance, but a return in time.

Gently vibrating at its spine, the behemoth laterally separated itself beneath from its berth below the metallic overcast at 1810, local time.

Unlike the conventional engine-propeller shaft technology of older-generation ships, the Queen Mary 2 was powered instead by four aft, hull underside-mounted Rolls Royce Mermaid electric-motor pods, each weighing 260 tons and containing four fixed-pitch, 9,900-pound, stainless steel blades, and collectively producing 115,328 horsepower. The forward, outboard pair was fixed and provided forward and astern propulsion, while the aft, inboard pair featured 360-degree azimuth capability and provided both propulsion and steering, obviating the need for the rudder. The advanced-technology system reduced both complexity and weight and increased internal hull volume by eliminating the traditional engine configuration's associated equipment.

Three Rolls Royce variable-pitch, transverse-propeller bow thrusters, collectively producing 15,000 horsepower, provided port and starboard bow maneuvering capability at speeds of up to five knots. At eight knots, when their effectiveness had been exceeded, they were covered by 90-degree rotating, fluid-dynamic doors.

Led by dual water-sprout shooting tugboats, the behemoth oceanliner commenced its lumbering movement down the basin. Maintaining an 11.5-knot forward speed in the Solent, it commenced its starboard turn from 140 degrees at Calshots Reach at 1907, poised for the similar maneuver at Brambles.

Compressed into dark gray, the sun projected its glowing orange streaks outward through the thin, unobstructed strip on the western horizon. Assuming a 220-degree heading through the Thorn Channel, the Queen Mary 2 initiated its starboard turn to round the Isle of Wight.

The first dinner on board the elegant, maritime engineering triumph had been served in the 1,351-seat, three-story-high, dual-level Britannia Restaurant which had featured a grand, sweeping staircase, column supports, and a vaulted, back-lit, stained glass ceiling and was reminiscent of and inspired by the grand dining room salons of the 20th century French liners such as the Ile-de-France, the L'Atlantique, and the Normandie. The meal itself, served on Wedgwood bone china and in Waterford crystal, had included white zinfandel wine; cream of mixed mushroom soup with parmesan croutons; crusty rolls and butter; oak leaf and Boston salad with shaved carrots and sherry vinaigrette dressing; rack of pork with wild mushroom ragout, truffle mashed potatoes, morel sauce, and sauerkraut; warm apple strudel with brandy sauce; and coffee.

The thin line of orange lights outlining the coast traced itself behind the stern. Maintaining a 27-knot speed and a 250-degree heading, the rock-steady, 151,000-ton engineering mass plied the black channel and commenced its great circle course, from Bishop's Rock in the Scilly Isles. Ahead lay the infinite Atlantic-and the path forged by every one of Cunard's previous transatlantic liners. Tomorrow, I would begin tracing the historical one.

Day Two:

Dawn greeted the lengthy liner as a tunnel of indistinguishable, moist gray. Encased between the morose cloud dome above and the navy sea slate below, which spat periodic white caps, the black-and-red funneled vessel penetrated the moisture-saturated morning, the rain-emitting sky and the swirling, eddying sea merging into seamless, wind-blustery, ship-bombarded drench.

Any undesired movement, however, was quickly, and invisibly, dampened by the two pairs of 15.63-square-meter Brown Bros/Rolls Royce fin stabilizers which were controlled by gyroscopic vertical reference instruments and extended as far as 15 feet from the hull to counteract ship roll.

Plunging into 348-meter-deep waters 98 nautical miles off of Ireland at noon, the Queen Mary 2 had traversed 418 miles since its departure from Southampton yesterday.

Current weather entailed intermittent, light rain with a clockwise movement to the west, predicted to drop to force 4. The present force-5, fresh breeze out of the south, coupled with an 11.2-degree Celsius air temperature, carried a 994-millibar pressure. The sea, with a moderate 4 state, maintained a 10-degree Celsius temperature.

Afternoon tea, held in the Queen's Room, had been a British tradition and a delightful intermittence between lunch and dinner served on every Cunard crossing, the last personal one of which had been the 2002 eastbound journey on the Queen Elizabeth 2. The Queen's Room itself, the largest ballroom at sea, featured an arched ceiling, twin crystal chandeliers, a velvet blue and gold curtain over the orchestra stage, a 1,225-square-foot dance floor, a live harpist, and small, round tables seating up to 562. Today's presentation included egg, ham and cheese, cucumber, tomato, beef, and seafood finger-sandwiches, scones with clotted cream and jam, and strawberry cream tarts.

Afternoon tea at sea could trace its lineage back some 165 years. Einstein's theory of relativity somehow seemed to apply. Suspended between continent, landmass, and population, the ship seemed caught within a void, an arrested warp in which history seemed captured and in which the vessel reconnected with its past, as it once again replayed it, a separation from the present on land and an approach to its past on the sea. It was to this suspension of time, distance, and place that the threads of Cunard's past indeed led. One man, who had lived some 200 years ago, had made the journey of today possible.

The name of that man, of course, had been the same as that which had graced a long line of ever-advancing Atlantic ocean liners, Samuel Cunard. Born on November 21, 1787 in Halifax, Nova Scotia, as the son of Abraham Cunard, himself a carpenter at Halifax's Royal Naval Dockyard, he had forged a maritime link upon physical entry into the world. His initial venture had entailed a Royal Mail contract award to transport mail over the Boston-Halifax-St. John's route after cessation of the War of 1812 between Great Britain and the United States, while he later became involved with the first steam-powered vessel project intended for Atlantic crossings. Named the Royal William, the 160-foot-long, 1,370-ton ship had been inaugurated into service in August of 1931 between Quebec and Halifax, requiring 6.5 days for the journey.

The venture which had sparked his ultimate fame, however, occurred at the end of the decade when the British government had announced its intention to subsidize steam-powered mail service between England and the United States. In a formal proposal to fulfill the requirement, submitted on February 11, 1839, Cunard outlined a bimonthly, steam-powered service between England and Halifax operated by 300-hp ships making 48 annual crossings. Awarded a contract by the Admiralty in June for four 206-foot-long, 400-hp, 1,120-ton vessels ultimately to be designated the Acadia, the Caledonia, the Columbia, and the Britannia, he finalized plans to serve the Liverpool-Halifax-Boston route.

The latter ship, the Britannia, had actually been the first to be completed. The 207-foot-long, 34-foot-wide hybrid power ship, constructed of African oak and yellow pine at Robert Duncan's Shipyard on the River Clyde in Scotland, had featured a clipper bow, three masts with square yards, and two mid-ship-located, black-and-gold paddle boxes which extended almost 12 feet from either side and contained 9-foot-wide, 28-foot-diameter paddles turning at 16 revolutions per minute and operating off of a 403-hp, two-cylinder, side-lever steam engine which burned 40 tons of coal per day exhausted through a single, aft smoke stack. The engine, requiring 70 feet of hull for installation, drew coal from a 640-ton bunker.

Of the four decks, the upper, or main deck, featured the captain and chief officer cabins, the pantry, the galley, the officers' mess, the crew cabins, the raised, exposed bridge, and the dining saloon, which, at 36 feet long and 14 feet wide, had been the largest enclosed room on the ship. Two aft, circular staircases linked the dining hall with the second deck, which housed the gentlemen's and ladies' cabins, each with two bunk beds, a wash basin, a mirror, a day sofa, and a port hole or an oil lamp, with shared toilet facilities, equaling a 124-person capacity, of which 24 had been female. The cargo holds, located on either side of the engine yet another deck lower and capable of accommodating 225 tons, accompanied the sail locker, the mail room, the stores, the steward quarters, and the wine cellar in the stern. Coal had been stored on the fourth, or lowest, deck.

The 1,154-ton Britannia, inaugurated into scheduled service on July 4, 1840 from Liverpool to Boston with an intermediate stop in Halifax, operated the world's first transatlantic steam ship service, carrying 63 passengers and taking 12 days, ten hours for the 2,534-nautical-mile crossing at an 8.5-knot speed, one third of the journey undertaken by pure-sail. After an eight-hour port suspension in Halifax, it continued to Boston in another 46 hours.

By January 5, 1841, all four Cunard ships had entered the fleet.

The Britannia itself made 40 round-trips before being sold to the Prussian Navy, which had converted it to a pure-sailing ship used for target purposes and renamed it Barbarossa. It was ultimately sunk in 1880. Nevertheless, it paved the way for a long line of Cunard liners to come.

Biting into the angry, dark-blue, white cap-spitting North Atlantic on a 272-degree heading at 1545 with its protruding, bulbous bow, the mighty Queen Mary 2 engineering triumph pitched on its axis at a 23.4-knot speed, the sun's rays having been powerful enough to tear the singular cloud fabric into a puffy, white mosaic of aerial islands. The ship had reached a 50-degree, 12.036' north latitude and 14-degree, 26.312' west longitude coordinate.

That night's dinner, served in the Britannia Restaurant, had included Merlot wine; smoked halibut mousse and jumbo shrimp on Russian salad; Lollo Rosso and apple salad with caramelized walnuts and cider vinaigrette; filet mignon and lobster tail with young roasted potatoes, polenta cake, and asparagus in hollandaise sauce; chocolate banana tart with mango sauce; coffee; and petit fours.

The Britannia, as a ship design, had been only the beginning, and would pale in comparison to the leviathan Cunard vessels produced in the 20th century.

Day Three:

Continually bowled significant sea swells, the Queen Mary 2 had pitched through the dark blue, star-glittering night at its center of gravity like a seesaw, its bow pounding the mountainous wave troughs and projecting avalanche-white reactions at 45 degrees from its centerline.

Breakfast, eaten in the King's Court with its multiple stations, had included a ham and pepper omelet, bacon, hashbrowned potatoes, a grilled tomato, white toast, and cranberry juice.

Negotiating 25- to 30-foot seas over the mid-Atlantic ridge, which covers the Continental Divide, the ship had sailed 590 nautical miles in the 24-hour period since 1200 noon yesterday, now pursuing a 263-degree heading, with 2,075 miles remaining to the New York Pilot's Station.

Light rain showers were forecast to dissipate, with gradual clearing. The force-5 wind, out of the northwest, had produced 9-degree Celsius temperatures, with a 996.5-millibar pressure. The sea, whose moderate state had been registered a "4," maintained a 12-degree temperature.

Gazing out toward the Atlantic's infinity, I could not help but think that somewhere out there, if not in physical space, then in historical time, had been the first of the "huge" Cunard Atlantic liners which assuredly had passed this way during the beginning of the 20th century.

The design, the Lusitania, had had its origins as early as 1902 when J.P. Morgan had attempted to create a steamship conglomerate called the International Mercantile Marine by buying several existing companies, including the White Star Line. In order to ensure Cunard's continued autonomy and dissuade its absorption into the ever-expanding corporation, the British Parliament had granted it a 20-year contract and subsidy to build two of the world's then largest and fastest liners and, in the process, regain the speed record the Germans had captured with three of their twin-screw vessels.

Cunard, seeking tenders for the two ships from four shipyards, specified a 750-foot length, a 76-foot width, and a 59,000-hp capability attained by reciprocating engines driving triple screws. The contract, awarded to John Brown and Company of Clydebank, Scotland, resulted in a 790-foott length and an 88-foot width, eclipsing the 30,000-ton gross weight by 2,500 tons for the first time, and employing turbine engine technology, also for the first time, with a 68,000-hp combined capability, exhausted, in an effort to emulate the Germans, through four funnels.

Construction, commencing in the fall of 1904, produced two of the largest, fastest, and most powerful Atlantic liners ever built with long, sleek designs; straight sterns; rounded bridges; and four raked funnels sporting 787-foot lengths, 87-foot widths, and 31,550-ton gross weights propelled by steam turbines geared to quadruple screws.

Accommodating 563 first class passengers amidships, 464 aft second class passengers, and 1,138 third, or steerage, class passengers in the forward portion of the hull, the first of the two new liners featured opulent appointments. A Georgian-style lounge sported light green colors, a marble fireplace, stained glass panes, and a 20-foot-high dome. The Veranda Café had latticed wall patterns and rattan furniture. The dining room, of dual-deck configuration, had been the first of its kind on a Cunard ship. The main lounge had been decorated with mahogany paneling, while the smoking room featured dark Italian walnut. The second class dining saloon also sported Georgian appointments and the drawing room had been decorated in the Louis XVI style. Featuring electricity for the first time, the Lusitania provided modern conveniences to its passengers, including two elevators.

On its second westbound crossing, the liner beat all speed records, averaging 23.993 knots and covering a 617-mile, single-day distance, although it ultimately broke the 26-knot mark, reaching New York in four days, 20 hours.

Its fate, however, was not to remain so successful. Departing England on its 202nd voyage on May 1, 1915 with 1,257 passengers, 702 crew members, and three stowaways, the ship had approached Great Britain, sailing ten miles off of Old Head of Kinsale when it had been broadsided by a German torpedo, listing forward and to starboard. Slipping oceanward at a 45-degree, bow-first angle, it hit bottom 18 minutes later, exploding and killing 1,201 on board, the result of a deliberate act of war.

Because not an outcrop of land is sighted during the six-day Atlantic crossing, the Queen Mary 2 seemed suspended in a void between two continents, the journey about course, speed, weather, sea state, distance, and interior life, the temporary, although ever-moving civilization atop the sea.

Soldiering on, the ship burned 3.1 tons of heavy fuel oil per hour at a 100-percent load to operate its diesel engines, or 261 tons per day at a 29-knot steam speed, while it used 6 tons of marine gas oil per hour to run its gas turbines, or 237 tons per day, drawing off of a 1,412,977-US gallon tank for the former and a 966,553-gallon tank for the latter.

Its fresh water supply, produced from seawater by 3 Alfa Laval Multi Effect Plate Evaporators, replenished itself at the rate of 630 tons per day, satisfying its 1,100-ton daily consumption. The potable water tank capacity equaled 1,011,779 US gallons.

A German-themed lunch, served in the King's Court, had included bratwurst, bacon sauerkraut, cheese spaetzel, roasted potatoes, schnitzel, and black forest cake.

Maintaining a 261-degree heading and a 23.1-knot steam speed, the city at sea had reached a 49-degree, 43.705' north latitude and 28-degree, 25.458' west longitude position by 1500.

The Queen Mary 2's Winter Garden, designed after the skylighted verandah cafes of the Mauretania, had featured a 60-by-25-foot trompe l'oeil ceiling depicting a lush, verdant gardens, paneled walls which looked through cast iron gates to rolling hills, and wicker furniture, and had been created to counteract the cold, gray, turbulent winter of the North Atlantic.

The Mauretania itself, the ship which had provided the Winter Garden's inspiration, had been the second of the two early-20th century Cunard designs after the Lusitania. The nine-decked liner, accommodating 563 first class passengers in 253 cabins, 464 second class passengers in 133 cabins, and 1,138 third class passengers in 278 cabins, had featured its own opulent appointments. The first class smoking room, for example, located in the stern, had featured polished wood wall panels and plaster friezes. The lounge, located on the Boat Deck and measuring 80 by 53 feet, had been adorned with mahogany wall panels, gold moldings, long ceiling beams, gilt bronze, and crystal chandeliers. The library, featuring bay windows, had been decorated with sycamore paneling. The first class dining room, seating 330, had been configured with long, white clothed tables and revolving chairs, and was decorated with polished ash, teak-molded paneling, and arched windows, while the second class dining room, with parquet floors, featured Georgian oak paneling and carved cornices. A grand staircase, installed between the second and third funnels, connected five decks with the public rooms.

Entering service on November 16, 1907 between Liverpool and New York, the Mauretania had been retrofitted with four-bladed propellers two years later, in 1909, at which time it could attain maximum speeds of 26.6 knots. It had been only the first of several modifications. With the outbreak of World War I in 1914, for instance, it had been repainted gray and briefly served as a troop ship, reliveried and returned to commercial service five years later in 1919, at which time it operated in company with the Aquitania and Berengaria, offering weekly east- and westbound service on the Southampton-New York route. It remained the fastest of the three.

Yet another modification, necessitated by fire, resulted in conversion to oil-burning engine technology and cabin reconfiguration, reducing both the second and third class passenger capacities.

In its 27 years of operation, during 22 of which it had held the North Atlantic speed record until it had been recaptured by the Bremen in 1929, the Mauretania had sailed some 2.1 million miles in transatlantic, Mediterranean, and Caribbean service before being usurped by two larger, more advanced Cunard liners. Making its last crossing on September 26, 1934, it was scraped the following year in Scotland.

That evening's dinner, served in the Queen Mary 2's Britannia Restaurant, had featured white zinfandel wine; baby shrimp thermidor on walnut brioche; cob salad with smoked chicken and bleu cheese dressing; roasted seabass with Mediterranean vegetables and olive tapenade; banana foster flambee with rum raisin ice cream and whipped cream; and coffee.

The Lusitania and Mauretania replacements, although larger, would prove a motley pair: although one had been the third in the series, it had been slower, while the other had been transferred from the fleet of the enemy, the Germans.

Day Four:

Suspended in the middle of the Atlantic, the black-hulled leviathan pursed its Great Circle course on a 249-degree heading, eating the gray and foamy-white ocean with its bow with a 21.7-knot appetite. Four hundred seventy miles off the coast of Newfoundland, the ship negotiated 3,549-meter-deep waters, having covered 607 nautical miles in the 24-hour period since yesterday, now 1,615 miles from Southampton. At a current 47-degree, 34.066' north latitude and 042-degree, 00.754' west longitude position, it was 1,468 miles from its destination.

External conditions were mild: the air temperature, at 14 degrees Celsius, had been coupled with a force-4 moderate breeze out of the southwest and low level cloud, with a 989-millibar air pressure. The sea, whose state had been slight, had a 12.7-degree Celsius temperature.

If the triplet of early 20th-century Cunard liners could have sailed past the Queen Mary 2 in chronological order, the Aquitania would have trailed both the Lusitania and the Mauretania, the third of the long, sleek, quad-funneled vessels constructed by John, Brown and Company of Clydebank.

The 45,647-ton ship, with a 901-foot length and a 97-foot width, had been both larger and heavier than its two predecessors, resulting in a 3,200-passenger capacity. Launched on April 21, 1913, it had commenced trial runs 13 months later, achieving a 24-knot maximum speed, and entered commercial service on May 30, 1914 on the Liverpool-New York route.

Opulently appointed, it featured a long gallery which connected the main lounge with the smoking room decorated with a series of garden lounges; a carpeted, Louis XVI-style first class restaurant; a columned Palladian lounge, which spanned two decks; and the first pool ever installed on a Cunard ship.

Late to the North Atlantic, the Aquitania had sailed on the fringes of World War I and had been requisitioned by the government for military service as an armed merchant cruiser in August of 1914; but, because of its excessive size, had been recommissioned as a troop ship the following year. Reconfigured for ocean liner service after the war, the ship resumed its civil role in August of 1920, amending its capacity six years later, in 1916, when a major reconfiguration decreased the first class passenger complement from 618 to 610, increased the second class capacity from 614 to 950, and dramatically decreased the third class complement by some three-forths, from 1,998 to 640, in order to more accurately match passenger class demand.

Once again reconfigured to a 7,724-person troop ship during World War II, the Aquitania provided eight years of military service during which it had sailed 500,000 miles and carried more than 300,000 troops.

Arriving in Southampton on December 1, 1949, the multiple-role vessel ended 35 years of service, having sailed some 3 million miles on 443 voyages. It had been Cunard's last quad-funneled design.

Lunch, back in the present on the Queen Mary 2, had been served in The Carvery, itself one of the King's Court stations, and had included beef tikka masala, white rice, cauliflower in cheese sauce, and double chocolate fudge cake.

Although the Aquitania's very long, mulitple-role, and fruitful career had ended in 1949, it had, for the most part, continued to operate in tandem, as originally conceived, with two other Cunard transatlantic liners, despite the fact that the Lusitania had been destroyed almost immediately after entering service. The third ship, however, emanated not from a Cunard blueprint given life by a ship builder on the Clyde, but instead by the very enemy which had necessitated its replacement.

Endeavoring to compete with the Cunard and White Star Line designs which now regularly plied the Atlantic, the Hamburg-America Line had laid the keel of a new breed of transatlantic liners on June 18, 1910, intended to be the largest-capacity, highest gross weight passenger ship ever built. The specifications were, for the time, staggering: measuring 919 feet long and 98 feet wide, the elongated, tri-funneled, 52,117-ton ship, designated the Imperator, had been powered by steam engines geared to four-bladed propellers feeding off of 8,500-tons of coal nourishing two 69- and 95-foot-long engine rooms, respectively. Accommodating 908 first class, 972 second class, 942 third class, and 1,772 steerage class passengers, the behemoth, steered by a 90-ton rudder, was christened on May 23, 1912 and entered commercial service 13 months later, on June 10, from Cuxhaven to New York with an intermediate stop in Southampton.

The Imperator featured a First Class winter garden with potted palm trees and a dual-deck indoor swimming pool.

Because initial service had demonstrated top-heavy conditions, its three funnels were shortened by nine feet during an autumn retrofit.

Ultimately banned from sailing because of World War I German atrocities, the ship had been moored in Hamburg for four years until a war reparation agreement resulted in its transfer to Cunard in 1919 as compensation for the German-sunk Lusitania. Rebased in Southampton two years later, in April of 1921, it had been subjected to an initial retrofit during which its coal-burning engine technology had been replaced with oil and it had been reconfigured with 972, 630, 606, and 515 first, second, third, and tourist passengers, respectively. Redesignated Berengaria, the ship joined the Mauretania and Aquitania, operating Cunard's weekly transatlantic service. Although it had been originally planned to continue operating it until 1940, its antiquated wiring system, which resulted in persistent on-board fires, had precluded its anticipated service longevity, temporarily leaving only the Mauretania and Aquitania until a new breed of Cunard liners, to offer double the tonnage of the existing designs, could enter service. That ship, of course, bore the name of the current one: Queen Mary.

Dinner, served in La Piazza Restaurant on board the (present-day) Queen Mary 2, had included a mixed green salad with ranch dressing; artichoke hearts; vegetable moussaka; pasta with onions, mushrooms, black olives, garlic, and red tomato sauce; tiramisu; and coffee.

Dusk could be more accurately gauged by looking beyond the wooden deck with its Queen Mary I-reminiscent line of deck chairs and down toward the sea, rather than up toward the sky. The former, a reflection of the latter, had appeared a deep blue, mirroring the temporary brightness of the sky during the early-evening when the mountainous white cumulous formations had parted, creating a blue rift. It then rapidly metamorphosed into a dark blue and, momentarily, a cold, morose, winter gray, the prevalent environmental conditions of so many earlier transatlantic crossings, as the dark, billowing clouds reassembled into a tight, cohesive quilt, hindering even a momentary glimpse of the sun. Merging dimensionally with the ocean, the amorphous, referenceless void cacooned the floating city until visibility extended no further than ten feet from either of its sides. Two souls, well dressed, braved the fierce, blustering wind as they attempted, buttressed by the force, to circle the deck. Thus was life on a transatlantic crossing.

As the day bordered the midnight demarcation line, the ship crossed from the Newfoundland Basin to the Grand Banks of Newfoundland and, effectively, reached the North American continent. Two days of steaming remained before it arrived at its terminus, the Port of New York.